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Mantle


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Mantle


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The Piper


 

Sydney Festival 2014

"The Piper is some of the loveliest children’s theatre I have ever seen. It’s clever and charming and never condescending. Even though I’m not exactly the target audience, I was captivated by it. An absolute Sydney Festival highlight... This is theatre with magic in it. "

Australian Stage Online, January 2014

"When the bear leads the children into the magic mountain and backstage for a quick costume change, all seem quite happy to follow. Their reappearance catches your breath. It's a lovely and surprisingly emotional moment in what is a formally inventive and stimulating piece of theatre."

Sydney Morning Herald, January 2014

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The Piper


 

Sydney Festival 2014

"The Piper is some of the loveliest children’s theatre I have ever seen. It’s clever and charming and never condescending. Even though I’m not exactly the target audience, I was captivated by it. An absolute Sydney Festival highlight... This is theatre with magic in it. "

Australian Stage Online, January 2014

"When the bear leads the children into the magic mountain and backstage for a quick costume change, all seem quite happy to follow. Their reappearance catches your breath. It's a lovely and surprisingly emotional moment in what is a formally inventive and stimulating piece of theatre."

Sydney Morning Herald, January 2014

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Alice Osborne's Falling Woman


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Alice Osborne's Falling Woman


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Posts In The Paddock


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“My Darling Patricia is a company that uses an astonishing range of performance styles and techniques to explore the way we look back, from the 21st century, on what we have lost, forgotten and need to recover. But even for the company this story is extraordinary.”
John McCallum, The Australian

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Posts In The Paddock


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“My Darling Patricia is a company that uses an astonishing range of performance styles and techniques to explore the way we look back, from the 21st century, on what we have lost, forgotten and need to recover. But even for the company this story is extraordinary.”
John McCallum, The Australian

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Night Garden


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"An emotional and visual wonder.”
Lenny Ann Low, Sydney Morning Herald


 

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Night Garden


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"An emotional and visual wonder.”
Lenny Ann Low, Sydney Morning Herald


 

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Africa


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“A stunning work … One of the achievements of Africa is its emotional honesty: how it at once expresses human resilience — the ability to generate beauty from the “rag and bone shop of the heart” — and the incorrigibility of damage and loss. Realised with an admirable skill, it’s funny, beautiful and heartbreaking. Beg, borrow or steal a ticket to this one.”
Alison Croggon, The Australian

 

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Africa


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“A stunning work … One of the achievements of Africa is its emotional honesty: how it at once expresses human resilience — the ability to generate beauty from the “rag and bone shop of the heart” — and the incorrigibility of damage and loss. Realised with an admirable skill, it’s funny, beautiful and heartbreaking. Beg, borrow or steal a ticket to this one.”
Alison Croggon, The Australian

 

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Politely Savage


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“A powerful, immersive experience – sense drenched, creepy and full of atmosphere”. - John McCallum, The Australian

 

“We leave with memories that resemble beautiful yet slowly eroding paintings of exquisite portrait-sitters and redolent landscapes.” - Lenny Ann Low, Sydney Morning Herald

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Politely Savage


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“A powerful, immersive experience – sense drenched, creepy and full of atmosphere”. - John McCallum, The Australian

 

“We leave with memories that resemble beautiful yet slowly eroding paintings of exquisite portrait-sitters and redolent landscapes.” - Lenny Ann Low, Sydney Morning Herald

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Dear Pat


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Dear Pat


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Kissing The Mirror


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Kissing The Mirror